Fête du Thé Canapé Paper Plate

Fête du Thé Canapé Paper Plate

$9.00
Sale price  $9.00 Regular price 
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Fête du Thé Canapé Paper Plate
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Fête du Thé Canapé Paper Plate

$9.00
Sale price  $9.00 Regular price 
Description

The great French cabinet-makers of the 18th century understood that a piece of furniture was not complete until it had been placed in a room: set against the right wall covering, framed by the right textile, given the context that allowed its proportions and ornament to be properly read. The Les Meubles plates work on the same principle. Each plate presents a vintage Rococo furniture illustration at the center, in warm terracotta tones on a cream medallion ground, surrounded by a border drawn from the striped and floral wallpaper patterns of the same period. The furniture and its setting arrive together, as they were always intended to be seen.

The central medallion presents a single piece of Rococo furniture drawn in the manner of the 18th-century cabinet-maker’s catalogue: precise, slightly idealized, rendered with the careful line work of a draughtsman who understood the object well enough to capture not only its silhouette but the particular weight of its carved ornament. The console illustrated here carries the full vocabulary of the Louis XV style: cabriole legs with foliate terminals, a serpentine apron centered on a cartouche, a pierced gallery cresting in the Rococo manner. It is a piece that would have been at home in any of the great hôtels particuliers of the Marais or the Faubourg Saint-Germain.

The border is drawn from the striped wallpapers that lined those same rooms: alternating bands of green, ochre, and warm red with small repeating floral motifs — the pattern language of the papier peint français at its most characteristic. Part of the Fête du Thé collection. Pairs with the Les Meubles napkins for a complete place setting.

A Note from Jeff

I have been looking at French furniture catalogues for long enough that individual pieces have become familiar in the way that faces become familiar: I recognize the hand of a workshop, the period a carver was working in, the difference between a chair made for a specific commission and one produced for the general trade. The furniture on these plates is the kind that appears in the best catalogues — too elaborate for everyday use, too precisely drawn to be anything other than a real object that someone went to considerable trouble to record properly.

The Fête du Thé collection is built around the idea that a well-set table is itself a kind of room, assembled with the same attention to the relationship between objects that a good interior demands. The Les Meubles plates are where that idea is most literally on display.