Vintage-style photograph of a city square with a tall column and statue, surrounded by buildings and people.

Place de la Bastille Paris Column Hardcover Journal – Place de la Bastille Paris Travel Notebook for Writing & Sketching

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Vintage-style photograph of a city square with a tall column and statue, surrounded by buildings and people.
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Place de la Bastille Paris Column Hardcover Journal – Place de la Bastille Paris Travel Notebook for Writing & Sketching

$18.99
Sale price  $18.99 Regular price 
Description

The Colonne de Juillet rises fifty-two metres above the Place de la Bastille — a bronze shaft topped by the Génie de la Liberté, the Spirit of Liberty, wings spread, torch raised, standing above the site where the fortress once stood and where the revolution began. It was erected not to commemorate 1789, as visitors often assume, but the Revolution of 1830 — the July Revolution that toppled Charles X and ushered in the July Monarchy. The column is a monument to the second act, to the revolution that remembered the first and produced something more durable. It stands in the middle of the place with exactly the kind of composure that great monuments require.

The Bastille quarter has changed enormously since the column was raised — the old prison demolished to its last stone, the canal de l’Arsenal filled and then reopened, the Opéra arrived in the 1980s to anchor the eastern edge. But the column remains, unchanged and entirely sure of itself, a fixed point in a place that has been in continuous transformation for two centuries. There is something reassuring about that kind of permanence — about an object that has absorbed the changes around it and continued to signify.

This journal carries the column’s image as a tribute to a particular kind of French monument: the kind that earns its place in the landscape by standing for something real, for a moment in history when the outcome was genuinely uncertain.

A Note from Jeff

I have walked through the Place de la Bastille more times than I can count — usually in transit, crossing from the Marais toward the Canal Saint-Martin or south toward the Viaduc des Arts — and I have stopped every time to look at the column. It is one of those Paris monuments that rewards repeated attention: the gilded spirit at the top catches the light differently at different hours, and the bronze shaft develops a quality of depth in the late afternoon that photographs never quite capture.

The July Revolution of 1830 is not as celebrated as it perhaps deserves to be — it lasted only three days and produced a constitutional monarchy rather than a republic, which has allowed subsequent generations to treat it as a footnote. But those three days were genuinely uncertain while they were happening, and the column that commemorates them is a serious piece of work. I am glad to have it on this journal.

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