Vintage Color Study Printed Ribbon

Vintage Color Study Printed Ribbon

0.59" / Woven Satin Ribbon / 9.8" repeat
$51.95
Sale price  $51.95 Regular price 
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Vintage Color Study Printed Ribbon

Vintage Color Study Printed Ribbon

$51.95
Sale price  $51.95 Regular price 
Description

The painter’s test sheet — the scattered circles and overlapping swatches left on a scrap of paper or a corner of the palette pad at the end of a working session — is one of the most honest documents in the history of art. It records not the finished decision but the thinking that preceded it: what colors were in play, how they behaved against one another, what happened at the intersections. This ribbon carries that visual vocabulary across its full length, the overlapping paint circles of the Colour Study design repeating in warm, saturated tones on a cream ground.

The scattered circle repeat was developed for the Vintage Voyagers France Colour Study collection: an abstraction of the painter’s working process translated into a pattern that reads both as color theory demonstration and as genuine decoration. Magenta, navy, orange, forest green, chrome yellow, crimson, teal, and dusty rose overlap and intermingle across the cream ground, each intersection producing the correct optical mixture. On a satin ribbon running the full length of a package or a table installation, the effect is of something that knows exactly what it is doing with color.

10 metres total, supplied as two 5-metre strips. 190 gsm 100% poly satin. Repeat design across full length. Pairs with the Colour Study wrapping paper and tea towel from the same collection.

A Note from Jeff

The most useful thing I keep on my desk is a pad of cheap watercolor paper where I test colors before committing to them: a smear of one pigment, a circle of another, an overlap to see what the mixture does. These sheets accumulate. They are not finished anything; they are just thinking, recorded. After a while they start to look like something.

This ribbon began with one of those sheets. The circles on it are paint, and the cream ground is the paper showing through, and the overlaps are exactly what happens when you put those pigments together. It is, in the most direct sense I know, a colour study on satin.

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